Things I liked in 2018 that (mostly) came out in 2018, in no particular order

1. Lucrecia Dalt—Anticlines
2. Nine Inch Nails—Bad Witch
3. Pusha T— Daytona
4. Iceage—Beyondless
5. Ora Iso—Image Certifies
6. Amen Dunes—Freedom
7. Preoccupations—New Material
8. Jonny Greenwood—You Were Never Really Here/ Phantom Thread
9. U.S. Girls—In a Poem Unlimited
10. Miryam Sirvan—Untamed Terror
11. Hiro Kone—Pure Expenditure
12. Daughters—You Won’t Get What You Want
13. Maria w Horn—Kontrapoetik
14. Anna Calvi—Hunter
15. Helena Hauff—Qualm
16. Gabe Gurnsey—Physical
17. Black Thought—Streams of Thought, Vol 1 & 2
18. Janelle Monae—Dirty Computer
19. Penelope Trappes—Penelope Two
20. Emma Ruth Rundle—On Dark Horses

1. Mandy—Panos Cosmatos
2. The Favourite—Yorgos Lanthimos
3. At Eternity’s Gate—Julian Schabel
4. Sorry to Bother You—Boots Riley
5. You Were Never Really Here—Lynne Ramsay
6. Suspiria—Luca Guadagnino
7. The Other Side of the Wind—Orson Welles
8. Hereditary—Ari Aster
9. First Reformed—Paul Schrader
10. The House That Jack Built—Lars von Trier

Books (that I read for the first time in 2018, but were not published this year)
1. I Remember Nightfall by Marosa di Giorgio.
2. Believing is Seeing (Observations on the Mysteries of Photography) by Errol Morris.
3. Defiance by Carole Maso.
4. The Book of Beginning and Endings by Jenny Boully.
5. Shirley by Charlotte Bronte
6. Histrionics: Three Plays by Thomas Bernhard.
7. Blue of Noon by Georges Bataille.
8. Selected Poetry and Prose by Stephane Mallarme
9. Sweet Days of Discipline by Fleur Jaeggy
10. SS Proleterka by Fleur Jaeggy
11. Physics and Philosophy: The Revolution in Modern Science by Werner Heisenberg
12. Obedience to Authority by Stanley Milgrim
13. Hangsaman by Shirley Jackson
14. Notebooks: Volume 1: 1998-1999 by Anselm Kiefer
15. Infinite Resignation by Eugene Thacker
16. The Little Town Where Time Stood Still by Bohumil Hrabal
17. Conquest of the Useless by Werner Herzog
18. Drawn and Quartered by E.M. Cioran
19. History and Utopia by E.M. Cioran
20. Aureole by Carole Maso


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